Unit 4 Photographers: The Language Of Light

Nicephore Niepce 1827 - Essay - Memoire on the Heliograph Sally Mann’s series Southern Landscapes and Immediate Family Berlin-based documentary photographer Michael Schmidt (1945–2014) actively sought out a flat midday light: Early in his career, Eugène Atget also worked with midday light for the objective quality that it gave to his photographs. Asamura Bloomfield, ‘Volatile … Continue reading Unit 4 Photographers: The Language Of Light

Exercise 3.3 : What Matters Is To Look

'If you are not willing to see more than is visible, you won't see anything’  Ruth Bernhard (1902-2006) Alberto Giacometti Alberto Giacometti had already mastered the art of drawing when he discovered the problem of seeing both the whole figure and the detail simultaneously. When he concentrated on the whole, the details disappeared and conversely, … Continue reading Exercise 3.3 : What Matters Is To Look

Research Point: Unit 2: Lens Work

‘I’m inclined to think that there is no such thing as a photojournalistic image, only a photojournalistic use of an image.’ (David Campany) https://www.fotomuseum.ch/en/explore/still-searching/articles/26952_backwards_and_forwards ( Accessed 11.06.19 ) Don McCullin, 'This is how it is', Sunday Times Magazine, March 28, 1968 Don McCullin, 'This is how it is', Sunday Times Magazine, March 28, 1968 Eve Arnold, 'Vietnam, North Carolina', Sunday … Continue reading Research Point: Unit 2: Lens Work